{ "schema": "https://streamingbusinessreview.com/v1/schema/entity.json", "license": "CC BY 4.0", "slug": "youtube", "type": "company", "name_jp": "YouTube", "name_en": "YouTube", "aliases": [ "YouTube", "ユーチューブ", "YouTube TV" ], "also_known_as": [], "website": "https://www.youtube.com/", "summary": "Google（Alphabet）傘下の世界最大級の動画プラットフォーム。無料の広告型動画、サブスクの YouTube Premium、ライブ TV の YouTube TV、Primetime Channels などを展開する。スポーツのデジタル接点・クリエイター施策の担い手として、放映権契約に『プラットフォーム・パートナー』として組み込まれる例が増えている。", "profile": { "founded_year": 2005, "headquarters": "米国 カリフォルニア州サンブルーノ" }, "kpis": [], "sparkline": null, "geographic": null, "mentions_count": 12, "co_occurrences": [ { "slug": "google", "count": 6 }, { "slug": "universal-music-group", "count": 5 }, { "slug": "spotify", "count": 5 }, { "slug": "warner-music-group", "count": 4 }, { "slug": "netflix-inc", "count": 4 }, { "slug": "sony-music", "count": 3 }, { "slug": "suno", "count": 3 }, { "slug": "udio", "count": 3 }, { "slug": "music-canada", "count": 1 }, { "slug": "no-fakes-act", "count": 1 }, { "slug": "generative-ai-copyright", "count": 1 }, { "slug": "media-partners-asia", "count": 1 }, { "slug": "bytedance", "count": 1 }, { "slug": "prime-video", "count": 1 }, { "slug": "disney-plus", "count": 1 }, { "slug": "warner-bros-discovery", "count": 1 }, { "slug": "sureel-ai", "count": 1 }, { "slug": "nmpa", "count": 1 }, { "slug": "klay", "count": 1 }, { "slug": "american-federation-of-musicians", "count": 1 } ], "mentions": [ { "slug": "canada-music-site-blocking-stream-ripping", "title_jp": "カナダ音楽業界、初のサイトブロック命令を獲得 — 配信時代の海賊版対策がISP遮断へ", "title_en": "Canada's Music Industry Wins Its First Site-Blocking Order, Pushing Anti-Piracy Enforcement to the ISP Layer", "category": "regulation", "published_at": "2026-06-21T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/canada-music-site-blocking-stream-ripping/" }, { "slug": "no-fakes-act-senate-judiciary-passage", "title_jp": "AI ディープフェイク規制「NO FAKES 法案」、上院司法委を全会一致で通過 — プラットフォームに1件75万ドルの責任", "title_en": "NO FAKES Act Clears Senate Judiciary Unanimously, Putting Up to $750K Per-Work Liability on Platforms", "category": "regulation", "published_at": "2026-06-20T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/no-fakes-act-senate-judiciary-passage/" }, { "slug": "spotify-direct-video-uploads-youtube", "title_jp": "Spotify がアーティストの動画直接アップを開放 — YouTube への攻めと、レーベル外しの綱渡り", "title_en": "Spotify Opens Direct Video Uploads to Artists, Taking Aim at YouTube While Treading Around Labels", "category": "strategy", "published_at": "2026-06-19T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/spotify-direct-video-uploads-youtube/" }, { "slug": "apos-2026-apac-retail-media-shift", "title_jp": "アジア太平洋の映像経済、2031年に2,000億ドルへ — APOS 2026 が示した「インプレッションからトランザクションへ」の収益転換", "title_en": "APAC Screen Economy to Hit $200 Billion by 2031: APOS 2026 Frames a Shift From Impressions to Transactions", "category": "ad", "published_at": "2026-06-17T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/apos-2026-apac-retail-media-shift/" }, { "slug": "ai-music-litigation-to-licensing-pivot", "title_jp": "AI 音楽、訴訟から『配管』の奪い合いへ — 権利者の勝ち筋は賠償でなく計測器の所有だ", "title_en": "AI Music Moves From the Courtroom to the Plumbing — The Rightsholders' Real Prize Is Owning the Meter, Not the Damages", "category": "strategy", "published_at": "2026-06-15T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/ai-music-litigation-to-licensing-pivot/" }, { "slug": "netflix-clips-vertical-feed-japan-korea", "title_jp": "Netflix、縦型フィード「クリップ映像」を日韓へ — 7 月のアプリ刷新で「発見」を短尺化", "title_en": "Netflix Brings Its Vertical Clips Feed to Japan and Korea in July, Turning Discovery Into Short-Form", "category": "strategy", "published_at": "2026-06-11T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/netflix-clips-vertical-feed-japan-korea/" }, { "slug": "google-youtube-tos-ai-music-training-license", "title_jp": "Google「YouTube 規約が AI 学習を許諾済み」— フェアユースに頼らない第 3 の防御線", "title_en": "Google Says YouTube's Terms Already License AI Music Training — A Third Line of Defense Beyond Fair Use", "category": "regulation", "published_at": "2026-06-10T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/google-youtube-tos-ai-music-training-license/" }, { "slug": "spotify-live-concert-video-ticketing", "title_jp": "Spotify、音楽フェスのライブ動画配信権を交渉 — Live Nation 独占チケットと『ライブ・ハブ』化を加速", "title_en": "Spotify Pursues Live Festival Video Rights, Pairing a Live Nation Ticketing Tie-Up to Build a 'Live Music Hub'", "category": "strategy", "published_at": "2026-06-09T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/spotify-live-concert-video-ticketing/" }, { "slug": "youtube-overtakes-netflix-daily-viewing", "title_jp": "YouTube、1 日視聴時間で Netflix を逆転 — 99.1 分対 93.4 分、アテンションの主役が交代", "title_en": "YouTube Overtakes Netflix in Daily Viewing Time — 99.1 vs 93.4 Minutes as the Attention Crown Changes Hands", "category": "strategy", "published_at": "2026-06-04T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/youtube-overtakes-netflix-daily-viewing/" }, { "slug": "cfl-media-rights-dazn-global", "title_jp": "CFL、6 年のメディア権利を Bell・DAZN・YouTube に — DAZN が国際独占、配信が「リーグの世界の窓口」に", "title_en": "CFL Awards Six-Year Media Rights to Bell, DAZN and YouTube, With DAZN as Exclusive Global Streamer", "category": "content", "published_at": "2026-05-30T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/cfl-media-rights-dazn-global/" }, { "slug": "aomedia-av2-codec-spec-finalized-royalty-free", "title_jp": "AOMedia、次世代コーデック AV2 の仕様を確定 — 配信大手連合が打つ「特許料ゼロ」の次の一手", "title_en": "AOMedia Finalizes the AV2 Codec Spec: The Streaming Giants' Royalty-Free Next Move", "category": "tech", "published_at": "2026-05-28T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/aomedia-av2-codec-spec-finalized-royalty-free/" }, { "slug": 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