{ "schema": "https://streamingbusinessreview.com/v1/schema/entity.json", "license": "CC BY 4.0", "slug": "disney-plus", "type": "service", "name_jp": "Disney+", "name_en": "Disney+", "aliases": [ "Disney+", "ディズニープラス", "Disney Plus" ], "also_known_as": [], "website": "https://www.disneyplus.com/", "summary": "ウォルト・ディズニー・カンパニーが運営するサブスク型動画配信サービス。ディズニー・ピクサー・マーベル・スター・ウォーズ等の自社 IP を核に、米国では Hulu と統合運用される。広告付き／広告なしの階層を持ち、Disney の DTC 収益化の中心を担う。", "profile": { "parent": "disney" }, "kpis": [], "sparkline": null, "geographic": null, "mentions_count": 15, "co_occurrences": [ { "slug": "netflix-inc", "count": 14 }, { "slug": "prime-video", "count": 8 }, { "slug": "amazon", "count": 3 }, { "slug": "warner-bros-discovery", "count": 3 }, { "slug": "cj-enm", "count": 2 }, { "slug": "dazn", "count": 2 }, { "slug": "disney", "count": 2 }, { "slug": "channel-4", "count": 1 }, { "slug": "viu", "count": 1 }, { "slug": "iqiyi", "count": 1 }, { "slug": "pccw", "count": 1 }, { "slug": "media-partners-asia", "count": 1 }, { "slug": "bytedance", "count": 1 }, { "slug": "youtube", "count": 1 }, { "slug": "tving", "count": 1 }, { "slug": "piracy-shield", "count": 1 }, { "slug": "spotify", "count": 1 }, { "slug": "barlovento-comunicacion", "count": 1 }, { "slug": "spliiit", "count": 1 }, { "slug": "ace", "count": 1 } ], "mentions": [ { "slug": "channel4-programmatic-amazon-dsp-multihoming", "title_jp": "Channel 4、VOD 広告枠を Amazon DSP など5社へ同時開放 — 自社販売の『壁』を開け、買い手の道具に相乗りする", "title_en": "Channel 4 Opens Its VOD Ad Inventory to Amazon DSP and Four Other Platforms, Trading Walled First-Party Sales for Programmatic Multihoming", "category": "ad", "published_at": "2026-06-23T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/channel4-programmatic-amazon-dsp-multihoming/" }, { "slug": "viu-iqiyi-sea-bundle", "title_jp": "Viu と iQIYI、東南アジアで配信バンドルを共同ローンチ — 競合だった地域勢が「規模」を守る防衛連合", "title_en": "Viu and iQIYI International Launch a Southeast Asia Streaming Bundle, Pooling Scale Against Global Rivals", "category": "strategy", "published_at": "2026-06-18T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/viu-iqiyi-sea-bundle/" }, { "slug": "apos-2026-apac-retail-media-shift", "title_jp": "アジア太平洋の映像経済、2031年に2,000億ドルへ — APOS 2026 が示した「インプレッションからトランザクションへ」の収益転換", "title_en": "APAC Screen Economy to Hit $200 Billion by 2031: APOS 2026 Frames a Shift From Impressions to Transactions", "category": "ad", "published_at": "2026-06-17T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/apos-2026-apac-retail-media-shift/" }, { "slug": "hbo-max-apac-rollout-complete-35-markets", "title_jp": "HBO Max、NZ・ベトナム投入でアジア太平洋35市場超に — 番組卸から自社直販への転換が鮮明", "title_en": "HBO Max Reaches 35-Plus APAC Markets with New Zealand and Vietnam Launches, Pivoting From Licensing to Direct-to-Consumer", "category": "strategy", "published_at": "2026-06-17T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/hbo-max-apac-rollout-complete-35-markets/" }, { "slug": "prime-video-apac-entertainment-hub", "title_jp": "Prime Video、アジア太平洋を「エンタメハブ」に賭ける — 単独アプリ競争から束ねる戦略へ", "title_en": "Prime Video Bets Its Asia-Pacific Future on the 'Entertainment Hub,' Shifting From Standalone Apps to Aggregation", "category": "strategy", "published_at": "2026-06-17T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/prime-video-apac-entertainment-hub/" }, { "slug": "italy-iptv-piracy-bust-sports-rights-economics", "title_jp": "伊財務警察、2,769人規模の IPTV 海賊版網を摘発 — W杯前に続く取締りが映す「断片化の代償」", "title_en": "Italian Financial Police Dismantle an IPTV Piracy Network of 2,769 Users: A Pre-World-Cup Crackdown and the Cost of Fragmentation", "category": "regulation", "published_at": "2026-06-14T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/italy-iptv-piracy-bust-sports-rights-economics/" }, { "slug": "prime-video-top10-chart-opacity", "title_jp": "Prime Video も週間 Top 10 を公開開始 — だが「ヒットの物差し」は各社バラバラのまま", "title_en": "Prime Video Joins the Weekly Top 10 Club, But Streamers Still Measure 'Hits' on Their Own Terms", "category": "content", "published_at": "2026-06-12T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/prime-video-top10-chart-opacity/" }, { "slug": "disney-plus-interactive-ad-formats", "title_jp": "Disney+、対話型広告4種を自社基盤 DXC で本格展開 — 広告を『中断』から『参加』へ作り替える", "title_en": "Disney+ Scales Four Interactive Ad Formats on Its In-House DXC Platform, Reframing Ads from Interruption to Engagement", "category": "ad", "published_at": "2026-06-09T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/disney-plus-interactive-ad-formats/" }, { "slug": "ace-spliiit-password-resale-ruling-france", "title_jp": "パリ司法裁、サブスク共有仲介 Spliiit を違法認定 — ACE 勝訴、パスワード商用転売に司法の線引き", "title_en": "Paris Court Rules Subscription-Sharing Marketplace Spliiit Unlawful as ACE Wins Password-Resale Case", "category": "regulation", "published_at": "2026-06-03T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/ace-spliiit-password-resale-ruling-france/" }, { "slug": "omdia-online-video-overtakes-paytv-revenue-2025", "title_jp": "オンライン動画収益、初めてペイTVを逆転 — Omdia が映す「広告ティア頼み」の成長と2026年の減速", "title_en": "Online Video Revenue Overtakes Pay-TV for the First Time in 2025, but Omdia Flags Ad-Tier-Driven Growth Set to Slow in 2026", "category": "strategy", "published_at": "2026-06-01T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/omdia-online-video-overtakes-paytv-revenue-2025/" }, { "slug": "rtl-sky-deutschland-close-german-aggregator", "title_jp": "RTL、Sky Deutschland 買収を完了 — 独語圏1,230万会員を束ね「国内最大の集約役」へ", "title_en": "RTL Closes Sky Deutschland Acquisition, Becoming Germany's Largest Aggregator with 12.3M Subscribers", "category": "strategy", "published_at": "2026-06-01T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/rtl-sky-deutschland-close-german-aggregator/" }, { "slug": "sbs-kdrama-multiseason-economics", "title_jp": "SBS、Kドラマを「シリーズ化」へ転換 — AI で続編の制作費 6 割減、配信ロングテールを狙う地上波の供給戦略", "title_en": "SBS Pivots to Multi-Season K-Dramas, Cutting Sequel Costs 60% with AI to Capture Streaming's Long Tail", "category": "content", "published_at": "2026-06-01T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/sbs-kdrama-multiseason-economics/" }, { "slug": "disney-plus-korea-netflix-gap", "title_jp": "Disney+ 韓国の追走戦略 — 322 万契約で Netflix の 1,559 万に挑む、現地 OTT との束ね売り", "title_en": "Disney+ Korea's Catch-Up Bet: 3.22M Subscribers Chasing Netflix's 15.59M Through a Local-OTT Bundle", "category": "content", "published_at": "2026-05-25T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/disney-plus-korea-netflix-gap/" }, { "slug": "ofcom-tier1-vod-broadcast-rules", "title_jp": "Ofcom、Netflix・Disney+・Prime Video を『放送並み』規制へ — 大手 VOD に字幕・公平性の義務", "title_en": "Ofcom Moves to Regulate Netflix, Disney+ and Prime Video Like Broadcasters With Accessibility and Impartiality Rules", "category": "regulation", "published_at": "2026-05-16T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/ofcom-tier1-vod-broadcast-rules/" }, { "slug": "disney-fq2-2026-streaming-double-digit-margin", "title_jp": "Disney FQ2、ストリーミング営業益が初の二桁マージン — DTC は『黒字化』から『利益拡大』へ", "title_en": "Disney FQ2 2026: Streaming Hits Its First Double-Digit Operating Margin as DTC Shifts From Breakeven to Scale", "category": "strategy", "published_at": "2026-05-06T00:00:00.000Z", "url": "https://streamingbusinessreview.com/articles/disney-fq2-2026-streaming-double-digit-margin/" } ], "permalinks": { "page": "https://streamingbusinessreview.com/entities/disney-plus/", "graph": "https://streamingbusinessreview.com/graph/disney-plus/", "feed": "https://streamingbusinessreview.com/feeds/entity/disney-plus.xml" } }